Apollo 13 1995 ein Filmtitel mit Genre Drama, Historie, Film English Hd Film in qualitativ hochwertige Video-. Voir Film Cinema VF Apollo 13 in besten Blick Videoformat. Neu Film Auf Netflix Apollo 13 in bester Qualität. Neu Film Amazon Apollo 13 in HD-Video. Deutscher Film Netflix Apollo 13 in beste Video-Format.
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- Originaltitel : Apollo 13
- Filmtitel in Ihrem Land : Apollo 13
- Jahr der Film : 1995
- Genres des Films : Drama, Historie,
- Status-Film : Released
- Veröffentlichungsdatum : 1995-06-30
- Die Unternehmen der Film : Imagine Entertainment, Universal Pictures, TF1 International,
- Länder Film : United States of America,
- Sprache des Films : English,
- Durasi Of film : 140 Min
- Stimme durchschnittlich : 7.4
- Youtube ID des Films : videokode
- Übersetzung von Film : translation
- Schauspieler des Films :John M. Mathews (Reporter), Joseph Culp (TELMU Gold), John Wheeler (Reporter), Marc McClure (Glynn Lunney), Andrew Lipschultz (Launch Director), Roger Corman (Congressman), Meadow Williams (Kim), Steve Rankin (Pad Rat), Walter von Huene (Technician), Paul Mantee (Reporter), Karen Martin (Tracey), Jules Bergman (Himself - ABC News (archive footage)), Tracy Reiner (Mary Haise), Todd Hallowell (Noisy Civilian), Ryan Holihan (SIM Tech), Arthur Senzy (SIM Tech), Patty Raya (Patty), Steve Ruge (Edward White), Mark D. Newman (Loud Reporter), Jim Meskimen (TELMU White), Ray McKinnon (Jerry Bostick - FIDO White), Miko Hughes (Jeffrey Lovell), Ben Marley (John Young), Loren Dean (John Aaron - EECOM Arthur), Mark McKeel (Suit Room Assistant), Todd Louiso (FAO White), Rance Howard (Reverend), Bill Paxton (Fred Haise), Frank Cavestani (Reporter), Ned Vaughn (CAPCOM 2), Patrick Mickler (RETRO Gold), Reed Rudy (Roger Chaffee), Mark Wheeler (Neil Armstrong), Pope Paul VI (Himself (archive footage)), Mary Kate Schellhardt (Barbara Lovell), Ed Harris (Gene Kranz), Ben Bode (INCO Gold), Gabriel Jarret (GNC White), Bruce Wright (Anchor), Maureen Hanley (Woman), James Ritz (Ted), Tom Wood (EECOM Gold), Emily Ann Lloyd (Susan Lovell), Kevin Bacon (Jack Swigert), Kenneth White (Grumman Rep), Clint Howard (Sy Liebergot - EECOM White), Chris Ellis (Deke Slayton), Neil Armstrong (Himself (archive footage)), Lee Anne Matusek (Loud Reporter), Max Elliott Slade (Jay Lovell), Jack Conley (Science Reporter), Xander Berkeley (Henry Hurt), Herbert Jefferson Jr. (Reporter), Jim Lovell (Captain of USS Iwo Jima), Tom Hanks (Jim Lovell), Geoffrey Blake (GUIDO Gold), John Short (INCO White), Ivan Allen (Anchor), Julie Rowen (Reporter), Andy Milder (GUIDO White), Taylor Goodall (Fred Haise Jr.), Jon Bruno (Anchor), Thom Barry (Orderly), Austin O'Brien (Whiz Kid), Carl Gabriel Yorke (SIM Tech), Kathleen Quinlan (Marilyn Lovell), Endre Hules (Guenter Wendt), Brian Markinson (Pad Rat), Michele Little (Jane Conrad), Joe Spano (NASA Director), Wayne Duvall (LEM Controller White), Steve Bernie (Virgil Grissom), Christopher John Fields (Booster White), Jane Jenkins (Neighbor), Max Grodénchik (FIDO Gold), Matthew Michael Goodall (Stephen Haise), David Andrews (Pete Conrad), Brett Cullen (CAPCOM 1), Misty Dickinson (Margaret Haise), John Dullaghan (Reporter), Christian Clemenson (Dr. Chuck), Jean Speegle Howard (Blanch Lovell), Jeffrey Kluger (Science Reporter), Thomas Crawford (Reporter), Gary Sinise (Ken Mattingly), Louisa Marie (Whiz Kid Mom), Googy Gress (RETRO White)
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Apollo 13 ist das Beste film von ausgeschieden Imagine Entertainment, Universal Pictures, TF1 International, mit der Verwendung von a Beschreibung des Films "Weniger als ein Jahr ist vergangen, seitdem der Mensch zum ersten Mal den Mond betreten hat. Und was die amerikanische Bevölkerung angeht, so stellt die Apollo-13-Mission lediglich einen erneuten Routineflug dar – bis die Bodenkontrollstation folgende Worte aus der unendlichen Weite des Alls empfängt: „Houston, wir haben ein Problem“. 205.000 Meilen von der Erde entfernt kämpfen die Astronauten Jim Lovell, Fred Haise und Jack Swigert in einer funktionsuntüchtigen Raumkapsel verzweifelt um ihr Leben. Unterdessen nehmen in der Bodenkontrollstation der Astronaut Ken Mattingly und Flugkommandant Gene Kranz das Rennen gegen die Zeit auf, um die Astronauten zurück zur Erde zu bringen.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und feinsten mit Schauspielern.
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Sound Re-Recording Mixer : Bob Chefalas, Unit Production Manager : Carl Clifford, Assistant Chief Lighting Technician : Jim Fine, Technical Advisor : Max L. Ary, Sound Effects Editor : Dean Beville, Transportation Captain : Randy Cantor, Rigging Grip : Randy Troyanek, Script Supervisor : Janna Stern, Camera Loader : Trevor Loomis, Best Boy Grip : Brian Marincic, Assistant Property Master : James Robinson II, Scoring Mixer : Shawn Murphy, Costume Design : Rita Ryack, Greensman : William Matzner, Grip : Troy Webb, Assistant Accountant : Susan Giordano, Special Effects Assistant : Bruce Y. Kuroyama, Assistant Chief Lighting Technician : Keith Roverud, Sound Re-Recording Mixer : Ezra Dweck, Second Assistant Director : Susan Pickett, Construction Coordinator : David T. Cannon, Supervising Music Editor : Jim Henrikson, Assistant Location Manager : Andrew L. Ullman, Chief Lighting Technician : Michael Orefice, ADR Mixer : Dean Drabin, First Assistant Director : Bruce Moriarty, Assistant Accountant : Keri Weisblum, Craft Service : Beverly Burton, Digital Effects Supervisor : Karen E. Goulekas, Second Assistant Camera : Stephen Sfetku, Additional First Assistant Camera : J. Steven Latham, Novel : Jim Lovell, Driver : Joseph Sullivan, Production Coordinator : Brooke Rand McDonald, Key Makeup Artist : Daniel C. Striepeke, Location Manager : Ned R. Shapiro, Special Effects Assistant : Steve Luport, ADR Editor : Stuart Stanley, Camera Operator : Josh Bleibtreu, Digital Compositor : Jerry Hall, Systems Administrators & Support : Shoshana Abrass, Special Effects Supervisor : John Palmer, Set Dresser : Edward J. McCarthy, Assistant Editor : Guy Barresi, Grip : Ron Peebles, Leadman : Wayne Shepherd, Assistant Dialogue Editor : Lynn Sable, Assistant Dialogue Editor : Yvette Nabel, Grip : Steve Graves, Modeling : George Stevens, Production Assistant : K. Marshall Smith, Chief Lighting Technician : Joseph J. Orefice, Sound Assistant : Dana Gustafson, Digital Effects Producer : Mark Lohff, Art Direction : David J. Bomba, Electrician : Dennis Hus, Stunts : Kim Robert Koscki, Set Dresser : Greg Wilkinson, Modeling : Brian Ripley, Associate Producer : Michael Bostick, Visual Effects Coordinator : Chad Merriam, Production Assistant : Jimmy Lindsey, Pilot : Michael Tamburro, Playback Singer : Annie Lennox, Set Designer : Lori Rowbotham, Editor : Daniel P. Hanley, Special Effects Assistant : Fred Tessaro, Art Direction : Bruce Alan Miller, Studio Teachers : Elise Ganz, Chief Lighting Technician : Andy Ryan, Electrician : Atillio Orefice, Assistant Property Master : Bobby Amor, ADR Mixer : Paul J. Zydel, Set Production Assistant : Laurel Robinson, Hairstylist : Hazel Catmull, Dialogue Editor : Thomas A. Gulino, Sound Effects Editor : Richard L. Anderson, Digital Compositor : Laurie Resnick, Special Effects Assistant : Tony Centonze, Sound Effects Editor : Warren Hamilton Jr., Unit Publicist : Andrew Lipschultz, Executive Music Producer : Brian Grazer, Stunts : John Robotham, Visual Effects Assistant Editor : Josh Margolies, Modeling : Greg Bryant, Color Timer : William Pine, Production Assistant : Dennis Clay, Director : Ron Howard, Second Assistant Camera : Jolanda R. Wipfli, Special Effects Assistant : Rocky Severy, Production Assistant : Michael McDevitt, Storyboard : Ricardo F. Delgado, Modelling Supervisor : Patrick McClung, Casting : Janet Hirshenson, Digital Compositor : Martine Tomczyk, Negative Cutter : Gary Burritt, Digital Compositor : Ethan Ormsby, First Assistant Camera : Christopher Duskin, Assistant Accountant : Hope Shaw, Actor's Assistant : Erik Bork, Pilot : Alan D. Purwin, Sound Recordist : Bob Olari, Best Boy Electric : Rick Petretti, Digital Compositor : Jammie Friday, Special Effects Assistant : Jeffrey Machit, Best Boy Electric : Glenn E. Moran, Steadicam Operator : Glenn DiVincenzo, Second Unit Director of Photography : Raymond Stella, Costumer : Elaine Ramires, Thanks : Walter Cronkite, Assistant Editor : Carolyn Calvert, Novel : Jeffrey Kluger, Makeup Artist : Larry Abbott, Technical Advisor : Jeffrey Kluger, Special Effects Assistant : Harold Selig, Visual Effects : Shoshana Abrass, Assistant Production Coordinator : Lila Yacoub, First Assistant Camera : Scott Fuller, Special Effects Assistant : R. Michael Bisetti, Assistant Chief Lighting Technician : O'Shana Walker, Production Assistant : Paul Swen, Second Assistant Director : Jane Paul, Key Grip : Jeff 'Moose' Howery, Set Painter : Felisa Finn, Construction Foreman : David A. Weinman, Grip : Luke Halpin, Stunts : Heather Burton, Key Grip : Ron Cardarelli, Driver : Rodney Lee Bennett, Dialogue Editor : Bitty O'Sullivan-Smith, Systems Administrators & Support : Matt Coohill, Producer : Brian Grazer, Set Decoration : Merideth Boswell, Production Supervisor : Michelle Morrissey, Modeling : Gerald McClung, Production Assistant : Michael Barson, Script Supervisor : Eva Z. Cabrera, Propmaker : Matthew Martin, Rigging Grip : Gary Brostrom, First Assistant Camera : Clyde E. Bryan, Assistant Chief Lighting Technician : Steve Chandler, General Manager : Scott Ross, First Assistant Accountant : Kathryn Mindala, Utility Sound : Kevin E. Patterson, Camera Loader : John Hynes, Driver : James E. Vargas, Storyboard Artist : Eric Ramsey, Digital Compositors : Feliciano di Giorgio, Special Effects Assistant : William Centonze, Electrician : Gary Ware, Digital Effects Supervisor : Mark A. Lasoff, Foley Mixer : David Jobe, Boom Operator : Steve Bowerman, Special Effects Assistant : Rich E. Cordobes, Assistant Editor : Richard Friedlander, Sound Re-Recording Mixer : Rick Dior, Executive Music Producer : Ron Howard, Visual Effects Producer : Jenny Fulle, Costumer : Joe McCloskey, Production Design : Michael Corenblith, Camera Technician : Scott Johnson, Costumer : Leslie Weir, Driver : William Esparza, Modeling : Eugene P. Rizzardi, Production Controller : Kathleen McGill, Rigging Gaffer : Mark Soucie, Property Master : Steven M. Levine, Orchestrator : Steven Bramson, Production Coordinator : Wendi Haas, Actor's Assistant : Terry Odem, Sound Re-Recording Mixer : Scott Millan, Visual Effects Assistant Editor : Tommy Dorsett, Stunts : Vincent Mazella Jr., Set Dresser : Chris Pascuzzo, Technical Advisor : Dave Scott, Special Effects Assistant : Jan Aaris, Second Second Assistant Director : William M. Connor, Costume Supervisor : Dan Bronson, Modeling : Bradford Plows, Dialogue Editor : Louis Cerborino, Dolly Grip : Dave Wachtman, Video Assist Operator : Roger C. Johnson, Electrician : Keith Orefice, Technical Advisor : Gerry Griffin, Set Dresser : Scott G. Jones, Executive Producer : Todd Hallowell, Driver : Bud Lacy, Director of Photography : Dean Cundey, Special Sound Effects : John Pospisil, Sound Assistant : Linda Yeaney, Screenplay : Al Reinert, Production Assistant : Alfred Cervantes, Key Hair Stylist : Kathryn Blondell, ADR Voice Casting : Lynne Redding, VFX Director of Photography : Erik Nash, Art Department Assistant : Joshua A. Sipe, Location Assistant : Matthew Pook, Associate Producer : Aldric La'Auli Porter, Special Effects Assistant : Lucinda Strub, Camera Operator : Casey Hotchkiss, Assistant Accountant : Rosario Aguirre, Special Effects Assistant : Gary Zink, Digital Effects Producer : Amy Jupiter, Production Coordinator : Virginia Dнaz, Set Production Assistant : Eddee Kolos, Electrician : Ben O. Graham, Foley Recordist : Don Givens, Set Costumer : Bob Moore Jr., Music Editor : Thomas S. Drescher, Pilot : Robert 'Bobby Z' Zajonc, Grip : Jimmy Giacona, Casting Associate : Susanna Griffith, Sound Effects Editor : Elliott Koretz, Production Assistant : Misty Conn, Assistant Editor : Glenn Allen, Stunt Coordinator : James M. Halty, Makeup Artist : Hallie D'Amore, Grip : Eugene Siegmund, Special Effects Assistant : Michael Wilmot, Makeup Artist : Michael Lorenz, Production Controller : Kieran Woo, Foley Editor : Matthew C. Beville, Foley Editor : Frank Smathers, Project Manager : Stephen Sobisky, Painter : Dan Dorfer, Electrician : Darren Langer, Machinist : John Lisman, Set Dresser : Richard M. Jones, Orchestrator : James Horner, Set Production Assistant : Colin Hanks, Special Sound Effects : Steve Lee, Assistant Editor : Tim Silano, First Assistant Director : Aldric La'Auli Porter, Supervising ADR Editor : Lisa J. Levine, Special Effects Assistant : Manuel S. Epstein, Hairstylist : Carolyn Elias, Visual Effects Editor : Debra Wolff, Stunts : Joe Finnegan, Hairstylist : Joy Zapata, Technical Advisor : Jerry Bostick, Set Medic : David O. Krupnick, Digital Effects Supervisor : John McLaughlin, Production Assistant : Susan Jamison, Set Production Assistant : Matt Rebenkoff, Grip : Michael D. Hightower, Assistant Camera : David S. Campbell, Set Costumer : Mary Elizabeth Still, Special Effects Assistant : Larry L. Fuentes, Digital Compositor : Pablo Helman, Production Assistant : Kirk Douglas, Modeling : Sabine Meyer zu Recendorf, Assistant Costume Designer : Marjorie McCown, Supervising Sound Editor : Stephen Hunter Flick, Additional Second Assistant Camera : Chip Byrd, Special Effects Assistant : James M. Hart, Modeling : John Ferrari, Digital Compositor : Bryan Grill, Publicist : Andrew Lipschultz, Sound Mixer : Geoffrey Patterson, Driver : Dan Brizendine, Supervising Dialogue Editor : Anthony J. Ciccolini III, Sound Mixer : John Sutton, Key Grip : Steven Cardarelli, Boom Operator : Craig Woods, Modeling : Gordon Forkert, Set Production Assistant : Stephanie Axe, Transportation Coordinator : Joel Marrow, Original Music Composer : James Horner, Electrician : Peter Eisner, Grip : Marty Dobkousky, Special Effects Assistant : Kent D'Huet, Screenplay : William Broyles Jr., Production Assistant : Lars Sloan, ADR Recordist : Ann Hadsell, Camera Operator : Raymond Stella, Set Designer : Joseph Hodges, Driver : Paulie DiCocco, Modeling : Michael Possert Jr., Costumer : Danna Edwards, Hairstylist : Audrey L. Anzures, Set Dresser : John Maskovich, Grip : Kevin Edwards, Driver : Gavin Grazer, Associate Producer : Louisa Velis, Second Unit Director : Todd Hallowell, Sound Re-Recording Mixer : Steve Pederson, Seamstress : Carmen Mazarow, Stunt Coordinator : Mickey Gilbert, Special Effects Assistant : Donald Krause, Editor : Mike Hill, Set Production Assistant : Jonathan McGarry, Sound Effects Editor : Patricio A. Libenson, Greensman : Jason Vanover, Set Production Assistant : Dylan K. Massin, Gaffer : Tony Anderson, Visual Effects Design Consultant : James Cameron, Extras Casting : Ajay Dass, Boom Operator : Bill J. DiDonna, Grip : Bryan Ashford, Production Coordinator : Kelly L'Estrange, Special Effects Coordinator : Matt Sweeney, Camera Operator : David Norris, Greensman : Anthony Vitagliano, First Assistant Camera : Scott Smith, Set Dressing Artist : Larry A. Cornick, Modeling : Felix Ojeda, Special Effects Assistant : Paul Sabourin, ADR Editor : Harry Peck Bolles, Sound Effects Editor : Eric Lindemann, Technical Advisor : Jim Lovell, Driver : Johnny Bartlet, Special Sound Effects : Donald Flick, Assistant Camera : Michole Bergstrom, Location Assistant : Anthony J. Saenz, Art Department Coordinator : Angela O'Neill, Production Assistant : Jeffray C. Eagle, Still Photographer : Ron Batzdorff, First Assistant "B" Camera : Larry D. Davis, ADR Recordist : Douglas Murray, Visual Effects Supervisor : Robert Legato, Production Coordinator : Lisa J. Watters, Sound Mixer : David MacMillan, Casting : Jane Jenkins, Production Assistant : Chris Clifton, First Assistant Editor : Roger Tweten, Dialogue Editor : Dan Sable
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